I fail to understand this thread Tom, so what your saying is for someone with the same equipment as you, who has a rack mount 31 band EQ with a range of 20HZ to 20KHZ (which incidentally is the perception of the human ear) should use the same settings to utilise this equipment? I think you'll find its horses for courses and what you think sounds good others may not. Also in the environment you test in, all your surroundings will all have different densities and co-efficients to where someone else is. Its not possible to give EQ settings for someone else, is it? Or were you just stating a personal preference?
From what you have said it looks like your loudspeakers have a resonance at 80Hz. That is no suprise for a driver as all have a resonant frequency.
But your loudspeaker enclosure should be flattening it out a bit.
Perhaps it is a resonance between the driver and the enclosure ?
Perhaps there is insufficient damping inside the enclosure ?
Right. Who said I was giving eq settings for anyone???
Not all rackmout graphics have the full 20hz to 20khz range. Some small ones only go up to 16khz. This is why I stated it went from 20hz right up to 20khz.
Also in my post I did say I was playing it by ear, so thats what I think sounds best. I like a very nice, clean and balanced sound. I dont like lots of bass for example. Just makes music sound . (sorry for swearing. i dont usually swear on a forum)
Also I did say that I got 3 people to give me there opinion on what sounded best with the graphic on and off. All three said that the sound was better with the graphic on and one quoted "not in your face" as it was before eq was turned on.
I also said that I will be giving a full report tomorrow. This means that things may need to be adjusted, which I know will need to be.
I think its the other way round.
A cab will make peaks a lot bigger, hence the reason to lower the 80hz. I think this is group delay related if im correct.
Maby DB Tech got things wrong with port size, lengh and cab size as these can reduce these peaks to make the sound sound a lot better and not "one noted". After all, they did want a small, compact and loud sub.
Also I just want to note, that how ever much anyone spends on speakers or amps, might as well throw that in aswell, every speaker system will need some kind of eq weither it be a small 3 band eq on your dj mixer or a full 31 band eq. Any kind of sound will be different in any venue and with that you need some sort of eq.
You can't turn up to a gig, play some music and leave it at that. If a song soungs to bassy, what do you do, you turn it down on the mixer. You adjust the eq.
All I am doing is taking out certain frequencies that are causing a small issue in my sound system to try and improve the sound. Whats wrong with that???
Don't forget Nigel isn't digital, there's tons to do . He has to find the CD, locate the track, cue it up.........
To a general good sound for the room they are in, I wwould've thought that was obvious.
How many of those use Class D though?
Do you just get this stuff off the internet?
Steve Mad, bad & dangerous to know www.corabar.co.uk
Better to study for one hour with the wise, than to drink wine with the foolish.
The opinions of Corabar Steve are not necessarily those of Corabar Entertainment, or any of its subsidiaries
Looks a lot of messing with the EQ - playing back pre-recorded music shouldn't require much EQ - maybe a touch of Bass to compensate for the building or a touch of top if the room is softly furnished.
I usually play with a flat EQ most of the time and just EQ my mic.
One cannot change the laws of physics and "eliminate" feedback, however it is possible to increase SPL gain before feedback, using several techniques;
(1) a parametric eq (as opposed to a graphic) - rifle approach vs shotgun. Insert at channel/subgroup level, not mains.
(2) apply a few ms delay - only a few, it won't be noticable. Work only with the wet (processed) signal.
(3) apply a very small pitch shift, as above. Again leave the dry signal out of the mix, and shift up, not down (the human hear detects flats before sharps).
However, before doing any of this, get your mic & speaker placement right. Remember you can't polish a turd.