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Originally Posted by
Benny Smyth
I'd actually go as far as to say ban lasers full stop, but that's another conversation for another time.
I think Laser light is very harsh, where as LED seems to get the thumbs up from many photographers. Banning lasers on first dance is a good call, i don't think it looks nice at all. Looking back as my mess of lights back in the day, it was atrocious!! Especially the naff green and red ones with shapes. I have a blue Lanta cluster now (awesome laser) but use that sparingly now at certain functions, works well on its own with a low light uplighting. Dottyights on the guests and B&G in general on first dance is a no-no for me on First dance.
Originally Posted by
Benny Smyth
I completely disagree with that. I know a lot of high end photographers who use flash. If used correctly, it's works really well.:
I am best friends with one of the best wedding photographers in Hampshire and recommend a dozen other excellent photographers (i.e. the best of the best i have seen). They all use flash, like having a decent DJ controller, its how you use it that counts!! I am an advocate for non flash photography, but you can get some stunning shots using flash creatively. Its the photographers that have the flash down facing the couple that tend to be the crap ones, rather than off camera and bounce.
On that note i have seen quite a few photographers doing non flash photography that clearly don't understand how their cameras/lenses light work, they are just trying to be cool, some of their shots are terrible. I would choose a small flash with an f3+ over circa f1.2 lens and no flash any day and a much better depth of field, although a decent arty non flash shot can really be awesome!
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I have just published a blog on this subject if anyone would like a read
http://stevenmaddison.co.uk/first-dance-lighting/
North East Wedding DJ -
www.stevenmaddison.co.uk - TWIA Regional Finalist 2019 & 2020 - The Wedding Business Awards Wedding DJ of the year (North East Region)
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It amazes me how many DJs simply don't give a proverbial when it comes to potentially ruining a first dance shot.
I got into a 'heated debate' a while back on a local FB group when someone posted a video from their gig with what I assume was a bunch of cheap swarm type lights blasting the bride and groom - not only did it make her look like a Christmas tree (literally, her dress looking green and had blue, red, purple and cheap looking amber (you know the faded one you get on cheap fixtures) blinking all over her), it was S2L so they were just going mental throughout this nice slow song.
I used to colour match to their scheme but in the past wee while I've stuck to a simple slow white pulse on my hex bars and the jelly domes on white rotating slowly in opposite directions - the amount of brides who mention how good what was essentially a 2 minute DMX job is incredible, especially given the lights aren't particularly flashy or fancy.
Wee example at the start here:
https://www.scotlandspartydj.com/ing...edding-simpson
I always ask the photographer if they lighting is OK too. I know fine well it is but it's a nice, natural way of showing: "Hey, I'm on your side and want you to get the best shots you can." No brainer.
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Dinosaur
Originally Posted by
Jim - Scotland's Party DJ
It amazes me how many DJs simply don't give a proverbial when it comes to potentially ruining a first dance shot.
Buy me a small sherry, and I'll blab.
Originally Posted by
Jim - Scotland's Party DJ
I always ask the photographer if they lighting is OK too. I know fine well it is but it's a nice, natural way of showing: "Hey, I'm on your side and want you to get the best shots you can." No brainer.
Originally Posted by
rth_discos
Yup - and that's shown by how many photographers are amazed when I show them that I provide a white wash for the first dance.
Some have mentioned that they can put their flash away, and others seem stunned that I've considered what is best for the photographer.
Ultimately, by considering what is best for the photographer, I'm helping my couple get the best results -and surely that's what we all aim to do? Although judging by the number of S2L flashing dots going round at first dances, I guess not.
The only divergence from my normal routine is that it's unusual to offer white wash, usually the Cheetahs are doing open white circles slowly, but hey if a tog asked for white, I can do that.
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Originally Posted by
rth_discos
Yup - and that's shown by how many photographers are amazed when I show them that I provide a white wash for the first dance.
Absolutely - what we do isn't rocket science in any way shape or form, it's actually a skoosh of a job really at it's most basic, that's where a lot of the "lower" end guys fall flat on their face, they don't think (or don't care) about the little details.
I had a guy shadow me a while ago and I was explaining to him I do x (e.g. talk to the tog) because a, I do y because of b, I do z because of z...
All just really simple little touches, why do I do them? As I pointed out to him - people notice what they don't notice
I have a pal who likes music but isn't musically inclined - we'll go and watch a band and he'll say "there's something not right with them is there?"
He doesn't actually know what's off is the drummer playing a bit in front of the beat, the guitar being slightly flat or the base tone not fitting in but he KNOWS something isn't right.
Flip it round, when a band is on fire and they have amazing tone and a great stage presence, people pick up on that.
I apply that to my DJing.
People don't go - he's been smiling all night - but they notice I'm enjoying myself
They don't go - he's not faffed about on his phone - but they notice I'm engaged at all times
They don't go - wow he has some high end PA gear and a pro grade wireless mic - but they notice the music sounds good and I'm nice and clear on the mic
And pertinent to this - they don't go - wow that dude has DMX'd those lights - but they notice that everything looks really nice.
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