I showed up at my residency last night to have my suspicions confirmed. Yes, there was a band coming! Yay, I love a good band, me!
I did all my setting up, leaving half my lights in the van because there wouldn't be room for them knowing where everything has to go to make the space work.. 7.15pm the band finally start showing up. Fat chance of an 8pm cake cut then I thought. Most of them totally blanked me. I thought fine, whatever. I'll get on with my job, you get on with yours. They had cables strewn everywhere across walkways & apparently hadn't heard of runners, mats or gaffer tape.. and left the room for me to play background music as people started to file in. I decided to tape their cables down so at least lip service would have been paid to safety. At least that lot had brought their own lights. TWO gigAbars actually. If you've seen one in action you'd know how bright they are. One is more than enough for that room on full brightness. Their PA (Yamaha DXR10s over Behringer 12" bins) initially sounded good but when they actually started, oh dear. Even with my earplugs in my ears felt like bursting with all the midrange. You couldn't hear the vocals too well - probably because their ProSound mics didn't have much feedback resistance
Cake cut & first dance times were continually revised. After the band's first set, then no, just after the buffet.. and ended up being at 10.15pm. Got a great reaction from the crowd doing the intro, then after getting a full floor for the first dance the band's turn came again. I left the room to give them their allotted 45 minutes. The hotel staff tried shutting doors etc but the band were still pretty much too loud everywhere downstairs. After half an hour a very harrassed looking barstaff member came to find me. Oh. The band are finishing already? Bleh.
OK then, started my set with Proud Mary & planned to work my way through a few genres to see what'd stick. Then the requests came flying in. NEXT. Or 'in 10 minutes'. No pleases, no thankyous just NEXT, NEXT, in ten minutes. Bride asked for this 'Hold ya head up' by Stevie S. Didn't have it, and it's not on any of my usual services. It was apparently essential, so I worked harder & found it. Played it.. it killed the floor. Filled the floor again with the next one. Bride wants Hold Ya Head Up on again NEXT. Okaaaaaaaaaaaaay. I bite my lip but resolve that if this continues, somebody's gonna get a lesson in manners. It bombs again. Things go really well dancefloor wise but the tog, who's easily the most scruffily dressed person there is still mithering everybody to strike poses & do his bidding on the dancefloor. Another bride request.. this time for The Beautiful South. Don't Marry Her. I explain it's only the radio version I have & she said it'll have to do I suppose. Kills the dancefloor energy. Bah! Got them back again only to have another messenger come over asking me to play Elvis - I can't help falling in love with you for the groom. He loves Elvis apparently. It's all cued up ready to go, and up she pops again.. oh no! Not that! Burning Love instead! What. The. Merry. Hell? So on that goes & gets a fair response.
At this point mr tog came over & insisted I play his choice of last 2 tunes. He says he gets every wedding DJ to do this & it works a treat every time. Well duh, they're cheesy peasy lemon squeezy tracks straight out of DJing101. Guests & customers yes.. they can ask. Togs.. not so much. Apparently they're for a 'thing' he does at the end. Riiiight. I dismiss his demands. I'll take requests from customers & guests.. but a photographer?
11.45 comes, last orders at the bar.. and up comes another requester. Bride's grandad wants to dance with her, so have I got anything slow from the 1950s? Sigh. Way to kill the dancefloor off yet again! So, I wheeled out Dean Martin's Memories Are Made Of This. Bride danced with grandad for all of about a minute leaving said old gent with a bridesmaid. Got back on track via The Mavericks' Dance The Night Away, then planned a rousing end of night. I saw the tog having a word with the bride & up she came to request the 2 songs he'd suggested.. for the end of the night. Ok then. Your day, your way. Or his way. Whatever.
Yes the Grease Megamix followed by New York New York worked. I did my usual outro as sincerely as I could between songs. Rapturous.
What was the very last thing I heard from the corridor when the last note of NYNY had played out? "Aaand hold that pose...... ". Sigh. I've heard of togs being demanding & running the show, but that was utterly ridiculous.
As I was packing down the tog came over. "SEE?", he says. "Told you those songs would work brilliantly at the end didn't I?". I thought "right. I'm gonna be speaking my mind for a bit... you asked for it with your proclamation mate...". "Teach your grandma to suck eggs much?", I asked. "You know that on 'end of the night anthems volume 1 CD, NYNY is tracks 1 through 10? It's like DJing by numbers! Have you never thought to try ending the night on something ORIGINAL instead of very tired old standards? And what's with your outfit? You're easily the scruffiest person here. Do you not have a shirt & trousers.. this was a WEDDING after all... And I hope at least some of your shots come out in focus the way you were jumping around while you were snapping away...". Safe to say he got both barrels but I tried not to be too insulting. He disappeared & I continued to pack down... but he'd left his camera on the bar. Too tempting. Did I? Nah. Somebody needs to have an album full of photos of people doing forced poses rather than having fun apparently.
If the crowd had been a little less NOW! with their requests, and the couple had seen fit to use my contact details before the gig to fill me in on their music preferences maybe I'd not have been so riled & gave it all back to the tog.. Maybe.